There is only one problem with this record;
it might cause you to become extremely frustrated,
as for years the Frames have created wonderful,
touching, perfect songs, yet they have never
been recognised for it. On For the Birds
this is also the case, only the songs are
even more beguiling, and if this does not
make the world sit up and listen to the Frames,
then nothing will.
What happens when the heart just stops
is
one of the most tender moments you
are likely
to hear on any album. Furthermore,
Hansard
delivers it with such honesty and sincerity,
that it reminds you of the open emotional
recollections of Mark Kozelek. Disappointed
is the same, and one of the most beautiful
songs ever written. It embodies that
same
universality that is now a hallmark
of the
Frames' songs, but with something else
that's
hard to describe. Perhaps it is the
sheer
understatedness, simplicity or the
rough
bedroom-esque recording quality that
reaches
deep deep inside, and you know you've
felt
all these words before but never been
able
to express them. That is arguably the
one
of the most wonderful things about
this band.
All of their songs are accessible -
moments
that have been experienced by all of
us,
and Hansard's voice offers us an empathic
ear and someone who is there for us
when
everyone else has walked out.
The band's musical ability is also
exposed
fully on this record, with the surprising
Fighting on the stairs sounding like
a revved-up
White Ladder era David Gray with added
ardour
and banjo. Santa Maria has the same
kind
of feeling as Fitzcarraldo; it's an
epic
journey which is built around a stunning
bass-line. The band hold back everything
before the song gently builds up into
a crashing
crescendo of pure unadulterated Rok!
Similarly
Headlong starts off as a tender declaration
of love before exploding into a wave
of crashing
guitars and forceful violin.
The mashed up Americana folksiness,
Dirty
Three-esque lamenting violin, and occasional
moments of early Flaming Lips style
weirdness
(Early Bird) combine to produce an
elegant
and sophisticated, diverse, and more
importantly,
heartfelt, sincere, honest and touching
record.
The new songs they have been playing
lately
at gigs have become old favourites
to fans
by now, and they sound even better
here,
with not a hint of overproduction hindering
them, just enough delicate touches
to create
a wonderfully intense atmosphere; the
perfect
complement to a collection of the best
songs
ever written.
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